
John Powers
John Powers is the pop culture and critic-at-large on NPR's Fresh Air with Terry Gross. He previously served for six years as the film critic.
Powers spent the last 25 years as a critic and columnist, first for LA Weekly, then Vogue. His work has appeared in numerous publications, including Harper's BAZAAR, The Nation, Gourmet, The Washington Post, and The New York Times.
A former professor at Georgetown University, Powers is the author of Sore Winners, a study of American culture during President George W. Bush's administration. His latest book, WKW: The Cinema of Wong Kar Wai (co-written with Wong Kar Wai), is an April 2016 release by Rizzoli.
He lives in Pasadena, California, with his wife, filmmaker Sandi Tan.
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Bill Nighy plays a bottled-up bureaucrat on a quest for meaning in Kazuo Ishiguro's adaptation of Akira Kurosawa's 1952 film Ikiru. The first film felt inventive and urgent — Living doesn't live up.
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Jerzy Skolimowski's thrillingly imaginative new film, EO, follows a former circus donkey on a journey across modern Europe. It's a strange, haunting epic that couldn't feel more of our moment.
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A writer dies under suspicious circumstances, leaving the last chapter of his new mystery novel incomplete. PBS' new MASTERPIECE Mystery! series is based on the bestselling novel by Anthony Horowitz.
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The epic action-picture bromance makes the case for returning to theaters — it reminds us that movies are always more thrilling when they're part of a collective experience.
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Ramy Youssef's comic-drama about Muslim life in America aims higher than almost anything else on TV. In its new season, Ramy grows increasingly unlikable and his family appears to be falling apart.
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There's nothing mythic about this series, which acts as a sequel to Paul Schrader's hit 1980 movie. This American Gigolo relies too much on people caring about a film that was made four decades ago.
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Set in 1989 Germany shortly before and after the fall of the Berlin Wall, this series centers on a cocky female assassin and puts a playful spin on the end of communism.
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Set in Oklahoma's Native American territory, the show blends satire, pathos and tribal lore — not to mention American Indians' tragic history — into a series that is fresh, funny and heartfelt.
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In 2001, Kathleen Peterson was found dead in her Durham, N.C., home. Her husband, Michael, was accused of her murder, and a Netflix documentary followed. Now, a new HBO Max series revisits the case.
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Daniel Roher's film about Russian dissident Alexei Navalny offers intimate, sometimes amazing access to the bravery — and human cost — of opposing a despot.